Tahar Ben Jaloun’s ‘a palace in the old village’ is about the
dream of Mohammad, an ordinary Moroccan, to bring his children back together
under one roof in his old village. Despite being a migrant worker in France for forty
years, Mohammad believes “La France
is good for the French not for us…nothing of France
had found a place in his heart or his soul.” A decent man and a good father and
husband, Mohammad believes "he is a Muslim before being a Moroccan, and before
becoming an immigrant. ” For him Islam is
a refuge that “calms him and brings him peace”, even as his children with “their
Arab features and gestures” are now ‘assimilated’ French and European, and want
nothing to do with his preposterous dream of wanting to bring the family
together in their old Moroccan village. Jelloun’s Mohammad is much like Arthur
Miller’s Willy Loman and Joe Keller. Mohammad, like Miller’s protagonists, is a
modern day tragic hero who is delusional and lives in a happier past that often
makes him forget the realm of today, and this predicament and his handling of
it arouses reader sympathy.
Tahar Ben Jelloun in ‘a palace in the old village’ is being
the ‘witness’ he claims every writer is…. “He bears witness to his time—he
tells stories, and in so doing comments on his society and the world.” In
this novel, Jelloun highlights the plight of immigrants in North
Africa to show that "emigration is no longer a solution; it's
a defeat. People are risking death, drowning every day, but they're knocking on
doors that are not open. My hope is that countries like Morocco
will have investment to create work, so people don't have to leave."
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